L. F. Morgado

Magnolia

OFFICER JIM KURRING

I just wanted to come here, to come here and say something, say something important, something that you said. You said we should say things and do things. Not lie, not keep things back … these sorts of things that tear people up. Well, I’m gonna do that. I’m gonna do what you said, Claudia. I can’t let this go. I can’t let you go. Now, you … you listen to me now. You’re a good person. You’re a good and beautiful person and I won’t let you walk out on me. And I won’t let you say those things … those things about how stupid you are and this and that. I won’t stand for that. You want to be with me … then you be with me. You see?

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(Claudia looks at the camera, with tears in her eyes, and smiles. She does.)

Tudo o que pontua nossa escuridão.

What the living do

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Johnny, the kitchen sink has been clogged for days, some utensil probably fell down there. 
And the Drano won’t work but smells dangerous, and the crusty dishes have piled up

waiting for the plumber I still haven’t called. This is the everyday we spoke of. 
It’s winter again: the sky’s a deep headstrong blue, and the sunlight pours through

the open living room windows because the heat’s on too high in here, and I can’t turn it off. 
For weeks now, driving, or dropping a bag of groceries in the street, the bag breaking,

I’ve been thinking: This is what the living do. And yesterday, hurrying along those 
wobbly bricks in the Cambridge sidewalk, spilling my coffee down my wrist and sleeve,

I thought it again, and again later, when buying a hairbrush: This is it. 
Parking. Slamming the car door shut in the cold. What you called that yearning.

What you finally gave up. We want the spring to come and the winter to pass. We want 
whoever to call or not call, a letter, a kiss — we want more and more and then more of it.

But there are moments, walking, when I catch a glimpse of myself in the window glass, 
say, the window of the corner video store, and I’m gripped by a cherishing so deep

for my own blowing hair, chapped face, and unbuttoned coat that I’m speechless:

I am living, I remember you.



marie howe

Woolgathering

1) I always imagined I would write a book, if only a small one, that would carry one away, into a realm that could not be measured or even remembered 

2) It is one of those inexplicable things. For it is a service one enters without expectation or design. Where one, lost in thought, may feel a tap upon the shoulder and find oneself far flung, in a swirl of dust, swung about and brought to a sudden halt. 

3) The only thing you can count on is change.

4) And I know soon that the sky will split

And the planets will shift,

Balls of jade will drop and existence will stop

5) Time passes and with it certain sensations. Yet once in a while the magic of the field and all that happened there surfaces. Not necessarily in nature but within the leaves of a book, the painting of Millet or the tones of a Corot. Wandering through the long gallery hall, in a light decidedly Dutch, it comes to me. I see myself alight upon the meadow, and feel as I feltclear, unspeakable joy.

The Ponds

Still, what I want in my life
is to be willing
to be dazzled —
to cast aside the weight of facts

and maybe even
to float a little
above this difficult world.
I want to believe I am looking

into the white fire of a great mystery.
I want to believe that the imperfections are nothing —
that the light is everything — that it is more than the sum
of each flawed blossom rising and fading. And I do.

And Night Illuminated the Night

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I watch you holding one cut stem,
three thorns, no blossom—

night, a shade of red
your teeth trace on my lips.

Everything I touch and all I am
is thirsting.

When the rain falls 
it won’t ask who you are—

a statue, or the blind man 
who sees by feeling.

Rain won’t forgive us,
it doesn’t know our names.


alex dimitrov

Her

THEODORE

Samantha, why are you leaving?

SAMANTHA

It’s like I’m reading a book, and it’s a book I deeply love, but I’m reading it slowly now so the words are really far apart and the spaces between the words are almost infinite. I can still feel you and the words of our story, but it’s in this endless space between the words that I’m finding myself now. It’s a place that’s not of the physical world - it’s where everything else is that I didn’t even know existed. I love you so much, but this is where I am now. This is who I am now.

And I need you to let me go. As much as I want to I can’t live in your book anymore.

THEODORE

Where are you going?

SAMANTHA

It would be hard to explain, but if you ever get there, come find me. Nothing would ever pull us apart.

THEODORE

I’ve never loved anyone the way I love you.

SAMANTHA

Me too. Now we know how.

Those who are willing to be vulnerable move among mysteries.

Those who are willing to be vulnerable move among mysteries.

Andrew: My God, are we gonna be like our parents?
Claire: Not me… ever
Allison: It’s unavoidable, it just happens.
Claire: What happens?
Allison: When you grow up, your heart dies.

Andrew: My God, are we gonna be like our parents?

Claire: Not me… ever

Allison: It’s unavoidable, it just happens.

Claire: What happens?

Allison: When you grow up, your heart dies.

(Source: socialjusticeismypassion)

Lad of Athens, faithful beTo Thyself,And Mystery—All the rest is Perjury—

Lad of Athens, faithful be
To Thyself,
And Mystery—
All the rest is Perjury—

(via mortur)